Tag: Podcasting

  • How to start a podcast in 2025 Bonus: 5 key tips for beginner podcasters

    How to start a podcast in 2025 Bonus: 5 key tips for beginner podcasters

    This post is part of a series titled How to start a podcast in 2025. If you’ve missed any of the posts, check back here.

    Starting a podcast can feel overwhelming, but with the right approach, it’s completely doable. To wrap up my beginner’s guide to podcasting in 2025, here are five essential tips to help you launch and grow your podcast successfully, pretty much summing up the past five posts.

    Given my main focus is audio, the series and these tips have been written with audio podcasts in mind but can be just as easily applied to video podcasts.

    1. Start with a clear concept

    Your podcast needs a strong foundation and the key to that is in having a clear concept. A clear topic and format make it easier to stay consistent and attract listeners. For Ken On Food, my subject matter is the Irish food scene, and for the Food In 5 Minutes series in particular, it’s about delivering five food stories in five minutes or less-ish. Concept, format.

    With almost 170 weekly episodes in the bag, The Football Manager Football Show was a podcast dedicated entirely to the video game Football Manager.

    If you’re considering starting a health and wellness podcast, why not ‘niche down’ and focus on a topic like mental health tips for busy professionals. It gives you, and your listeners, clarity and helps you stand out and target the right audience.

    2. Invest in good audio quality

    Listeners will forgive a lot, but bad audio isn’t one of them. You don’t need a professional studio, but a decent microphone and a quiet space make a huge difference – take it from a broadcast engineer with over 20 years of experience in this space.

    COVID was a grand for Zoom calls and lower quality audio when everything had to be done remotely, but that had a limited shelf-life too. If you’ve got the budget for hardware and software, invest well and invest wisely.

    If budget is lacking, pick your recording space wisely. You’d be surprised the difference in audio you can capture if your space has a carpeted floor or a wooden floor, lower ceilings or higher ceilings, if you’re indoors or outdoors, whether your microphone is near or far away.

    Put yourself in the listeners shoes – would you listen to your recording? Your content may be amazing, but poor quality audio can be an immediate turn-off, not just for one episode, but your entire podcast.

    3. Plan Before You Record

    Even if your podcast is casual, a little preparation prevents rambling and helps keep your episodes engaging. I’ve written plenty about this in the past, including why I think your podcast needs a running order.

    Do yourself a favour before you hit record and draft an outline of your episode, even in bullet point format. You wouldn’t jump in the car to get from Wexford to Donegal and simply hope you reach your far-flung destination (it’s about a four hour drive too, by the way). You’ll have looked at a route, followed sign posts or a map of some description, taking you from door to door.

    After a while, you’ll be doing it from memory. The same applies to podcasting. Make a plan, draft your bullet points, keep your questions in mind to guide conversations and go from there.

    4. Be Consistent with Your Release Schedule

    This is the big one and can result in the life or death of a podcast. Building an audience takes time, and consistency is key in this case. Whether it’s weekly, biweekly, or monthly, stick to a schedule so listeners know when to expect new episodes.

    To help with this when you’re getting ready to launch your podcast, it can really help to have a few episodes ‘in the bag’ so that you’re already ahead of yourself for your release schedule.

    5. Promote Your Podcast Effectively

    The downside to all this wonderful podcast work is that recording is only half the job—getting people to listen is just as important. Where you can, leverage social media, collaborations, and word of mouth to grow your audience.

    Tools like Headliner are great for sharing short audio clips to social platforms, or if you’re camera savvy, something like Opus can be a great help in preparing short video clips for socials.

    What about you – any tips you’d like to suggest? Sound off in the comments below.

    This post is part of a series titled How to start a podcast in 2025. If you’ve missed any of the posts, check back here.

  • How to start a podcast in 2025 Part 4: Recording and editing your first podcast episode

    How to start a podcast in 2025 Part 4: Recording and editing your first podcast episode

    This post is part of a series titled How to start a podcast in 2025. If you’ve missed any of the posts, check back here.

    1. Prepare Before You Record

    Good preparation saves time and helps your episode sound polished.

    • Write a loose script or outline to keep you on track.
    • Rehearse key points so you sound natural.
    • Test your mic levels and adjust gain to avoid distortion.
    • Eliminate background noise by choosing a quiet space.

    2. Start Recording

    Keep these tips in mind to get the best quality audio:

    • Speak clearly and at a steady pace.
    • Pause between thoughts to make editing easier.
    • Record a short test clip and listen back before starting the full episode.
    • If you make a mistake, pause and restart the sentence instead of stopping the recording.

    3. Edit for Clarity and Flow

    Editing refines your episode and removes distractions.

    • Trim silences, mistakes, and filler words (like “um” and “uh”).
    • Adjust volume levels to ensure consistency.
    • Add intro and outro music if desired.
    • Use noise reduction tools to clean up audio.

    4. Choose the Right Editing Software

    Depending on your skill level, different tools can help:

    • Free: Audacity (PC/Mac), GarageBand (Mac)
    • Paid: Adobe Audition, Reaper, Hindenburg Journalist

    Learn basic editing techniques, but don’t overcomplicate it—clear, clean audio is the goal.

    5. Export Your Episode

    Save your file in the right format:

    • MP3 format (128-192 kbps for spoken word podcasts)
    • Normalize volume levels to avoid sudden jumps in loudness.
    • Name files clearly (e.g., “Episode-01-Intro.mp3”) for easy organization.

    This post is part of a series titled How to start a podcast in 2025. If you’ve missed any of the posts, check back here.

  • How to start a podcast in 2025 Part 3: Getting the right podcast equipment and software

    How to start a podcast in 2025 Part 3: Getting the right podcast equipment and software

    This post is part of a series titled How to start a podcast in 2025. If you’ve missed any of the posts, check back here.

    You don’t need a professional studio to start a podcast, but good equipment and software make a big difference in sound quality. Here’s what you need to get started without overspending.

    1. Choose a Microphone

    Sound quality matters. Avoid using built-in laptop or phone mics. Here are good options at different budgets:

    • Budget: Samson Q2U or Audio-Technica ATR2100x (USB/XLR options)
    • Mid-range: Rode PodMic or Shure MV7
    • High-end: Shure SM7B (requires an audio interface)

    USB mics are plug-and-play, while XLR mics offer more control but require extra equipment.

    2. Get Headphones

    Use closed-back headphones to monitor audio while recording and editing.

    • Affordable: Audio-Technica ATH-M20x
    • Mid-range: Sony MDR-7506
    • Premium: Beyerdynamic DT 770 PRO

    Avoid recording without headphones to prevent audio bleed.

    3. Pick a Recording Software

    Your choice depends on your setup and budget. Here are solid options:

    • Free: Audacity (PC/Mac), GarageBand (Mac)
    • Paid: Adobe Audition, Logic Pro X, Reaper
    • Online: Riverside.fm, Zencastr (great for remote interviews)

    Test different software to see what feels most comfortable.

    4. Consider an Audio Interface (If Using an XLR Mic)

    An interface powers XLR microphones and improves sound quality.

    • Budget: Focusrite Scarlett Solo
    • Mid-range: Focusrite Scarlett 2i2
    • High-end: RME Babyface Pro FS

    If you’re using a USB mic, you don’t need this.

    5. Improve Your Recording Space

    A good recording environment matters as much as your mic.

    • Record in a quiet room with minimal echo.
    • Use soft furnishings like carpets and curtains to absorb sound.
    • Consider acoustic foam or DIY soundproofing for better quality.

    This post is part of a series titled How to start a podcast in 2025. If you’ve missed any of the posts, check back here.

  • How to start a podcast in 2025 Part 2: Planning your podcast episodes

    How to start a podcast in 2025 Part 2: Planning your podcast episodes

    This post is part of a series titled How to start a podcast in 2025. If you’ve missed any of the posts, check back here.

    Now that you have a solid podcast idea, it’s time to plan your episodes. A little preparation goes a long way in making your show engaging and easy to follow. Here’s how to get started.

    1. Choose Your Format

    Not all podcasts follow the same structure. Pick a format that suits your topic and personality.

    • Solo: You run the show alone, sharing insights or telling stories.
    • Co-hosted: A dynamic conversation between you and another host.
    • Interview-based: You bring in guests to share their expertise.
    • Narrative: A well-researched, storytelling approach.

    Think about what works best for your content and what you’ll enjoy creating.

    2. Structure Your Episodes

    A clear structure keeps your episodes engaging and easy to follow.

    • Intro: Briefly introduce yourself and the episode topic.
    • Main content: Present your key points, interview, or discussion.
    • Breaks: Use short transitions or music to create a natural flow.
    • Conclusion: Summarize key takeaways and encourage engagement.

    A consistent format helps listeners know what to expect.

    3. Decide on Episode Length

    There’s no perfect length, but here are common ranges:

    • Short-form (10–20 mins): Great for quick insights or bite-sized content.
    • Mid-length (30–45 mins): Ideal for in-depth discussions without overwhelming listeners.
    • Long-form (60+ mins): Works well for deep-dive interviews or storytelling.

    Pick a length that fits your content and audience’s listening habits.

    4. Plan Your First Season

    Instead of winging it, create a rough plan for your first batch of episodes.

    • Brainstorm 10–15 episode topics.
    • Arrange them in a logical order.
    • Outline key points for each episode.

    Having a plan reduces stress and keeps your content consistent.

    5. Prepare for Recording

    Before you hit record, make sure you’re ready.

    • Write a loose script or bullet points to stay on track.
    • Test your mic and recording setup.
    • Do a quick practice run to build confidence.

    A little prep makes recording smoother and more professional.

    This post is part of a series titled How to start a podcast in 2025. If you’ve missed any of the posts, check back here.

  • How to start a podcast in 2025 Part 1: Choosing your niche, topic or focus

    How to start a podcast in 2025 Part 1: Choosing your niche, topic or focus

    This post is part of a series titled How to start a podcast in 2025. If you’ve missed any of the posts, check back here.

    If you’re reading this post, I’m hoping you’re the kind of person ready to start their journey into the world of podcasting – making the transition from being a podcast listener to a podcast creator, host or producer.

    Over the next five post, you’ll learn about sourcing and picking equipment you can use for podcasting, promoting your podcast, planning episodes, recording your episodes and more, but for the first part in the series I’m going to look at what happens at the start – choosing your niche, topic or focus.

    You may have this locked down already and if so, you’re ahead of the curve. Starting a podcast begins with a strong idea, and ideally its one that excites you and will keep you motivated while you work on producing content and attracting an audience. Choosing the right topic or focus for your podcast from the start can be the difference maker between a podcast the thrives and succeeds and one that doesn’t.

    With all that said, let’s dive in…

    1. Choose a topic that keeps you motivated

    If you’re a regular podcast listener or radio listener, you’ll know that some of the best shows come from presenters who are passionate about their chosen subject – books, music, film, theatre, food, working from home, starting a blog, cycling – whatever the topic is, you can hear the grá they hold for it in their voice.

    That passion, that curiosity, is what keeps them motivated to continue producing content.

    Much like starting a blog, or writing a paper, your podcast should be about something you enjoy talking about – not just for one episode, but for many.

    As you’ll see in the coming posts about planning podcast episodes, having the passion for and knowledge of a topic will be a huge driver for you personally given the commitment required for regular podcasting. If you were to do a weekly episode for a year, would you get tired talking about the subject matter? Two years? Three?

    Maybe the idea you’ve got bubbling away lends itself to something more concise. Have you been thinking about a shorter-form podcast, with a handful of episodes, all nicely self-contained? Even so, have you got enough material in the bag (or in your head) when it comes to creating the content for it?

    Think about subject you already discuss or have a shared interest in with friends and family, or topics that you naturally research in your free time. If you love learning about something, chances are you’ll enjoy creating content around it as well.

    Your podcast should be about something you enjoy talking about—not just for one episode but for many. Passion is key because podcasting requires commitment. If you pick a topic just because it seems popular, you might lose interest quickly. Think about subjects you already discuss often with friends or topics you naturally research in your free time. If you love learning about something, chances are you’ll enjoy creating content around it.

    2. Topic chosen? Refine it

    One of the big mistakes you can make in choosing a topic is making it too broad.

    Let’s say I want to start a podcast called Any Given Food (an old food blog of mine) and my plan is to discuss literally everything about food. Think cooking, shopping, farming and agriculture, gardening, going gluten-free, vegan diets, food while travelling, baby food, food history, food science, if it’s about food, I’m going to cover it.

    Doesn’t that seem too broad to you? Do you think I would struggle to attract a loyal audience? I know I would as the podcast lacks focus. Yes, the avenues for content seem endless, but to what end?

    If I was to pick food as my topic, my next step would be to ‘niche down’ (a very American term) or to have a clearer focus for my podcast. So food is the overarching theme, but I want to explore food history instead. Now I’m starting to shape the idea for my series. Maybe I focus on Ireland’s food history, or maybe now I’ve gone too narrow.

    Instead, my first few episodes are going to look like this

    • The accidental inventions that changed our plates
    • How the spice trade shaped the modern world
    • The surprising history of fast food
    • Bread: the staple that built civilizations

    I get to talk about food, I dive a little deeper into the history of food on a global scale, and look at how it can be targeted to the audience I have in mind.

    Having a specific focus will help listeners know exactly what to expect and increases the chances that they’re going to subscribe to or follow your podcast. Instead of ‘The E-Commerce Podcast’, how about ‘How To Grow A Small E-Commerce Store’ where instead of focusing on all things e-commerce, you’re focus is shifted strictly to the setting up, running and growing of a small store. You’ve got niche appeal, you’ve narrowed down your audience, and have a path to prescribed content.

    For whatever overarching topic you have in mind, how could you refine it to make it work more in your favour? Does it need refining in the first place?

    3. Identify your audience and what they want

    Now that you’ve got your niche, topic or focus set, the next thing to do is figure out your audience.

    Does the world really need another podcast on your chosen topic? Have you got anything new or fresh to bring to the party? Do you even know who your podcast is aimed at or what kind of listener you’re trying to attract?

    At the end of the day, your podcast isn’t just for you, it’s for your listeners. It’s your job to impart the information, inform and entertain. Defining your audience early on will help you shape content that resonates with them.

    Using The Football Manager Football Show as an example, we knew two things

    • The podcast would be about a video game, Football Manager, with a smattering of football talk (hence the double use of ‘football’ in the title)
    • The intended audience was players of the game, who typically play at least a few hours a week, and know enough about the game to know what we’re talking about without having to explain ourselves

    The content resonated will with listeners, numbers grew nicely from month one through year three before knocking things on the head after 12 seasons.

    Ask yourself this – who would benefit most from your podcast?

    What problems do those people have that you can help solve? The more specific you can get, the easier it will be to both create the content for your podcast and to attract and retain listeners. A niche audience is often more engaged than a broad, general one.

    If you can’t talk to your intended audience before you release, then your first step is to research existing podcasts in your space. Read up on reviews of similar shows, see what listeners love, hate, or wish was done differently. See if you can spot a gap. Maybe listeners want more actionable advice, or deeper interviews or conversations on a subject. Or maybe they don’t have an hour to spend listening your your well prepped show, but a 15-30 minute duration is more suited because your audience tends to listen in the car on the way to work, or coming off a workout in the gym, or out walking the dog.

    Using money as an example, if you’re thinking in starting a podcast about personal finance, you might look at targeting young professionals who struggle with budgeting, rather than trying to appeal to everyone interested in money. How will you make that connection?

    OK, that’s done, now what?

    Before you commit to a podcast idea, run a few simple tests to see if it has potential.

    One way is to create a short description of your podcast in one or two sentences. If you can’t explain it clearly, it might be too vague or complex. Try sharing your idea with a friend. Do they immediately understand what your podcast is about, or do they have questions? If they struggle to grasp it, you may need to refine your concept.

    Another great exercise is to record a five-minute test episode.

    Talk about your topic as if you were recording a real show. Go in cold, use the voice recording or voice notes feature on your phone, or sit down in front of a microphone and just let her rip. This will help you determine if you enjoy discussing it and if the content flows naturally. If it feels forced or you run out of things to say quickly, it might not be the right fit.

    For my first radio show, I had everything planned for a 60 minute recording. Or at least I thought I did. Seven minutes into the process, I was dead, and I was working with three others at the time. We’d blown all of our content and ideas in such a fast-paced start that the show may as well have been a ten minute insert instead of an hour-long feature.

    Testing your idea in this way can save you time and effort down the road. Another way to test your motivation is to brainstorm at least 20 episode ideas within your chosen niche. If you struggle to come up with enough topics, you might run out of things to say too soon.

    A sustainable podcast needs depth. For example, if you’re considering a podcast about productivity, could you cover morning routines, time management strategies, overcoming procrastination, and digital tools for efficiency? If so, you’re on the right track.

    Choosing the right podcast idea is the foundation of your success. Find a topic that excites you, refine it, identify an audience that needs it and test your idea before you fully commit. With the right start, you’ll set yourself up for a podcast that’s engaging, sustainable, and rewarding.

    This post is part of a series titled How to start a podcast in 2025. If you’ve missed any of the posts, check back here.

  • Starting a podcast in 2025? Of course you are, and here’s how you can do it

    Starting a podcast in 2025? Of course you are, and here’s how you can do it

    For 2024, I brought the Ken On Food podcast back to life with a short series called Food In 5 Minutes. If I can do it, anyone can do it.

    After a one-year run in that particular format, it’s now parked, with a view to returning later this year in a new seasonal-style approach with longer episodes over a shorter run. I also plan on returning to work on a number of previous podcast projects, including the UR Podcast series produced with Urban Gym. 2025 seems like a good year to tackle all things podcasting.

    If starting a podcast in 2025 has been on your agenda, then you’re in luck.

    Over the course of the next five weeks, with the support of one post a week, I’m going to guide you through how you can research, prepare, record and launch your first podcast. This short course doesn’t cost you anything, and doesn’t require you to sign up for any newsletters or ‘limited time’ offers. Check back on the blog each Friday for the month of January and you’ll find a new post ready and waiting to guide you on your next step of the journey.

    What happens after that is up to you.

    What to expect

    This new, short series of posts, is aimed at podcast listeners, those with an idea bubbling below the surface for something they would like to try, but are struggling to put all the pieces together. If that sounds like you, you’re in the right place.

    Divided into five segments (you can click the links below to find the posts now), you’ll learn about

    1. Choosing your niche, topic or focus
    2. Planning your podcast episodes
    3. Getting the right podcast equipment and software
    4. Recording and editing your first podcast episode
    5. Publishing and promoting your podcast

    The list isn’t exhaustive by any means but for newcomers to the space, you’ll find plenty of useful information, tips, tricks and suggestions that you can use to make your journey from podcast hopeful to podcaster a good one.

    If you’ve got any questions along the way, leave a comment on any of the posts.

    And happy new year!

    Update: As an added bonus, to round out the series, here are five tips for beginners on the podcasting front, just a little something to keep in mind if you’re going to be investing your time and resources in the process.

  • Top 5: Irish Podcast Awards announce shortlist for Listeners’ Choice award

    Top 5: Irish Podcast Awards announce shortlist for Listeners’ Choice award

    Following on from the release of the shortlists all the big categories at this year’s Irish Podcast Awards, event organisers have published the list of the top five podcasts that will battle it out for the coveted Listeners’ Choice award.

    They are

    You can see a full list of the 2023 Irish Podcast Awards nominees here.

    Among the sponsors for this year’s event are GoLoud, Global and Acast. PodPod play hosts with Virgin Media news duo Zara King and Richard Chambers presenting the evening at Dublin’s Morrison Hotel on 21 November. The event was previously scheduled for House Dublin but had to move venue due to ticket demands.

    The Australian Podcast Awards also take place on the same date.

    Listen: Shortlisted Podcasts (recent episodes)

    Ah Ref

    Big News Coming Soon

    Left On Read

    Real Life Ghost Stories

    Talking Bollox

  • What’s in the bag: My podcast kit, 2023 edition

    What’s in the bag: My podcast kit, 2023 edition

    This post was first published in 2018, then upgraded in 2019. Now in 2023, my podcast kit hasn’t seen too much change though I have added some extra Rode kit.

    Note: This post contains affiliate links, meaning if you eventually purchase a product through one of these links it will generate a commission.

    When it comes to podcast production, whether on the road or in the office, everyone will have a different take or a preference for another microphone or recording device. In a nutshell, though, the gear boils down to the same functions – something to record on, something to record with, something to listen to your work as you go, and something to edit on.

    In brief: What’s in my bag?

    You can tell I like my Rode gear, but they keep building and I’ll likely keep buying.

    In detail: What’s in my bag?

    Zoom H6

    I’ve had my Zoom H6 portable recorder pretty much since it hit the market. Before that, I swore by my trust Zoom H4 and I’m pretty sure there was a Zoom H2 in there before that. The H6 gives you an incredible amount of flexibility thanks to four combo inputs and additional microphone attachments allowing you up to six channels for recording. It can run for hours on four AA batteries, recording to SD, or can be used as a USB audio interface in either stereo or multi-channel setups.

    My 2020 podcasting kit, including a Zoom H6 and some Shure SM58 dynamic vocal mics
    My 2020 podcasting kit, including a Zoom H6 and some Shure SM58 dynamic vocal mics

    Format-wise you can start at 44.1kHz/16bit right up to 96kHz/24bit and if you’re combining it with video, there’s an optional hot shoe mount that can be attached, along with a plethora of accessories. For studio-quality recording in your pocket, the H6 is by far and away one of the most user-friendly options on the market that offers serious bang for your buck.

    Rode NTG-2

    Rode NTG2
    Rode NTG2

    My shotgun mic of choice for video for years, I started carrying the NTG-2 in my bag for walk-and-talk interviews. It’s great at distance, ideal on the end of a boom pole and requires little maintenance. You can power it via phantom or pop in a single AA battery and it will last you weeks. I’ve used this for everything from voiceovers to countless radio interviews, to capturing audio for video and it’s always performed. It’s still available on the market at around the €240 mark depending on where you shop but has long been upgraded. The NTG-4 is in a similar price bracket but if you step up to the NTG-5 you’ll start doubling your cash outlay.

    Shure SM58

    Shure SM58
    Shure SM58

    The industry standard when it comes to dynamic microphones. Tried and tested in every situation known to man, the Shure SM58 is a rockstar mic and I’ve carried at least one in my bag since 2006. At around €125ish each, they’re virtually indestructible and never let you down. You’re as likely to find them on stage at concerts the world over as you are at gigs in the back of a pub or in a reporter’s bag.

    2 XLR cables

    XLR cables are the basics ties that bind the audio world together when it comes to professional microphones. Given I’m using the Zoom H6 quite a bit, I’ll carry at least two cables with me that will have been checked and tested before I go recording. If I’m setting up for two people, I’ll bring a third cable, and three people a fourth cable etc. Safety first.

    2 sets headphones and a headphone splitter

    Never leave home without headphones when you’re recording and if you can bring a spare pair with you, do. I’ll bring a set of over-ear headphones and in-ear buds with me wherever I’m going to record. It might sound harsh, but there’s a special place reserved in audio hell for those who insist on recording without headphones or checking their levels before they push start – don’t take up one of those places. Using a splitter (stereo) means I can offer a guest a set of headphones, or send a separate feed to a headphone amp (they come cheap), or my video camera.

    1 pack spare AA batteries

    The Zoom H6 will record for about 20 hours on just four AA batteries. That means I’ll always carry an extra four with me, just in case. The NTG-2 also requires a single AA battery. If you’re recording out in the sticks and you realise you need batteries, you’re better off looking at them than looking for them.

    2 16 GB SD Cards

    Similarly, with batteries, SD cards can be fickle at times. The cost of SD memory cards has come down dramatically in recent years to the point where you can pick up (for example) a 128GB class-10 card with a write speed of 140mbps for roughly €15, at the time of writing at least. My Zoom H6 will take one card but I’ll always make sure to have a second one just in case. If you do a lot of chopping and changing with cards. Typically for a transfer from the H6 I will opt to use USB mode and mount the card as a readable drive as opposed to taking the card out to pop into an external SD card reader. The less travel it has to do, the better.

    iRig microphone

    IK Multimedia's iRig Mic
    IK Multimedia’s iRig Mic

    This one doesn’t get too much use these days and requires an optional jack to USB/lightning adapter but if you’re looking for a wired handheld option that links straight to your phone, the iRig mic is a great one to get you out of a spot of bother. Connected to an iOS device, it also has a headphone socket for monitoring your recording.

    You can find out more from IK Multimedia.

    Rode Wireless Go II (pair)

    When the Rode Wireless Go appeared on the market, I knew they were going to become part of my setup. When the II came along, I jumped at the chance and ended up getting a complimentary Rode Interview Go (giving you a handheld option). The Wireless Go II gives you two wireless transmitters, good for a 200m line of sight, with a dual-channel wireless receiver that allows you to record transmitters separately or combined.

    There’s universal compatibility with cameras, mobiles, your laptop and more, meaning working with this piece of kit puts you in some rare air with capabilities. The Rode SC5 cable is included in the kit if you need to get audio to a DSLR but for iOS devices you’ll have to acquire an additional cable. The transmitters also have a 3.5mm TRS input for use with lav mics.

    Rode SmartLav+

    Considering they work well with the Wireless Go kit, having a Rode SmartLav+ in my bag seems like a no-brainer now, but it was there before the wireless kit cropped up. If I’m looking for soundbites, or I’m at an event and want to travel really light, I’ll grab my phone and the SmartLav+ and make for the door. You can get clear audio in a noisy environment and while it’s not my first port of call, when the camera comes out and I want to hide a wireless transmitter, it does come in fierce handy.

    2 additional lav mics

    Secondary to the SmartLav+, I picked up a couple of off-market lav mics, both with 5-metre leads, more for video work than anything else.

    Rode AI-Micro

    Given that I’ve got a few lav mics in the bag, I figured I might as well have the Rode AI-Micro in there too. Pop it into an iPhone, connect two lav mics and a set of headphones and you’ve got a nifty dual-channel interface where you can effectively fit all your recording equipment in your pocket.

    You could also use a RODE VideoMic, any wireless system that allows a 3.5mm connection or stereo microphones. TRRS connections are also supported. Not a bad option too for Zoom calls if you want some better quality audio or a bit of distance from your screen.

    What’s my home setup like?

    For home sessions, I keep things fairly simple. There was a stage where I was using a 16-channel analogue desk, combined with the Focusrite Scarlet 18i20 for the PC or using the Digidesign 003 Rack with the Macbook (it also still works with Windows 10 with some gentle persuasion if you’ve got a FireWire card handy).

    Nowadays it’s much simpler

    The Rodecaster Pro, while set up at home, is also terrific in a mobile setting and, with the right cabling, doesn’t require mains power to run meaning you could run it powered by USB from a laptop. Or if you’ve got mains power, don’t bother bringing the laptop and you’ve got yourself a multi-channel recorded with phone inputs, Bluetooth pairing and a fully programmable FX bank (which you can also use to load in pre-recorded audio).

    Rodecaster Pro v1

    With Class-A servo biased preamps, Aphex processing on board, the option to record in full multi-track, eight programmable pads, four mic inputs and five headphone outputs plus additional connectivity on USB devices (with a full mix-minus), TRRS and Bluetooth, the original Rodecaster Pro has gotten me out of so many holes in recent years and opened up countless possibilities for interviews whether over Zoom or Skype or my mobile (including WiFi calls or WhatsApp calls) without having to leave my desk.

    It’s portable, mains powered with an optional extra to go USB-powered, and can work as a multi-channel interface with your DAW or a standalone recorder and that’s just for starters.

    More recently, I’ve made it part of my fledgling Twitch streaming efforts but if the budget was there wherever you’re working or streaming from, I’d be recommending grabbing the first or second versions of these units, the more the merrier. It’s a one-stop shop for podcast production and can easily be used in a live radio setting with broadcast meters and output muting also included. I’ve had good success in pairing mine with a Tieline VIA for home broadcasting and it comes packed with presets for a variety of RODE and non-RODE microphones to help you get the best production.

    As interfaces go, they’re not cheap and the latest iteration will set you back close to €700 a unit but the Rodecaster is easily one of the best audio purchases I’ve made in years. Learn more about it in detail here.

    Rode PodMic

    I’ve used plenty of different microphones for my home setup over the years but this year (2023) I picked up the RODE PodMic following a trip to Thomann’s factory (town) in Germany, pairing it with the low-profile Elgato Wave arm. It’s about a third of the cost of an SM7B, doesn’t need half as much work to drive it and it’s perfect for home podcast, broadcast or streaming use. Learn more about it on Rode.com here.

    Beyerdynamic DT 770 Pro 250ohm headphones

    I made the point above that if you’re recording audio of any description, you better be wearing headphones. Well, when you’re wearing headphones, you may as well be comfortable. I’ve got a black set of Beyerdynamic DT-100s looking at me here, a staple of radio stations around the world, but a few years back I upgraded them to a set of the Beyerdynamic DT 770s, mainly for comfort and some additional warmth (gotta love the velvet pads instead of the leather).

    Elgato’s Wave Mic Arm LP

    The Wave Mic Arm LP from Elgato is a low-proflie studio-grade boom arm that sits below the shoulder line for an unobstructed view on camera – meaning it’s idea for streamers or podcasters and broadcasters who don’t like a mic arm dropping into their line of sight. For my home setup, it’s popping out just under my monitor and gets pushed out to the side when not in use. For streaming in particular or videos I make at the desktop, you can’t see it in shot, something that makes for a more engaging visual experience. More on Elgato.com.

    16 GB MicroSD card

    If you want to record directly to the Rodecaster Pro, you’re going to need a memory card and in the case of the first version of the interface, it’s MicroSD all the way. With the Rodecaster Pro you can record via USB and straight to the SD, including in multi-track mode.

    But wait, there’s more

    There’s definitely more gear on the go, something usually the case with anyone involved in live or studio engineering. I know if I open another pocket in the bag I’ll find something stuffed there from a year or two ago, or discover I’ve extra cables or spare parts but ultimately you’ll use what’s right for the occasion and location you’re recording in.

    Given the portability of the Rodecaster Pro, I’ve used that previously to record episodes of The Football Manager Football Show when production studios aren’t available, instead opting for an office setup. Similarly, there have been episodes of that podcast recorded using my Zoom H6 with two dynamic microphones (SM58s), in particular when we’ve had to record on location outside of the studio.

    At the end of the day you’ll find the right kit for the right location, but I like to have my bases covered when it comes to recording. If I add any more gear or refine my selections, I’ll update this list in due course.

    And if you’ve got any must-have pieces of equipment that you can’t live without when recording, leave a comment below with details.

  • Learning Waves to host Podcast Day 2023 later this month

    Learning Waves to host Podcast Day 2023 later this month

    Learning Waves, the training body for the independent commercial radio sector in Ireland, is hosting Podcast Day 2023 on Thursday 25 October.

    Signups are available here.

    The Gibson Hotel in Dublin’s docklands provides the backdrop with the day bringing together a number of speakers on the world of podcasting, monetisation, sound design, podcasts for radio stations and more, all under the one roof.

    It’s a one-day affair, kicking off at 11am with comedian and podcaster Jarlath Regan the keynote speaker. There are two sessions booked before lunch and in the afternoon. Here’s how the schedule is looking…

    • 11am: Introductions
    • 11.10am: Keynote speaker – Jarlath Regan
    • 11.50am: Radio stations making podcasts: Why, the wins and the watchouts with Aisling Moore (Senior Producer, Newstalk, and Producer of Inside the Crime), Liam Thompson (Programme Director, Classic Hits, and Co-Founder of The Smart 7), Darren Cleary (Bauer Media) and Ian Doyle (Head of Podcasting at Wireless Group)
    • 12.40pm: Achieving world-class sound design in your podcast with Niall Breslin (Where Is My Mind?) and Lochlainn Harte (Imaging Manager, Newstalk)
    • 1.15pm: Lunch
    • 2pm: Fireside chat with Doireann Garrighy (RTÉ 2FM) in conversation with Patrick Haughey (AudioBrand)
    • 2.40pm: The International Perspective – UK and Germany with Martin Liss (audio entrepreneur & management consultant) and Meera Kumar (multi award-winning podcast producer)

    The day is aimed at all those interested in podcasting, currently working in the independent radio sector in Ireland.

    As such, you must be currently working with an independent radio station to book.

  • Mic’d up: Shure launch the SM7dB with built-in preamp features

    Mic’d up: Shure launch the SM7dB with built-in preamp features

    One of the world’s best-loved microphones just got a massive upgrade that’s coming to come as welcome news to broadcasters and podcasters alike.

    Considering I’ve recently put four SM7Bs into a live studio space, the SM7db will be a welcome upgrade for those who have been putting off a purchase given the typical need for extra gain in the chain. As dynamic mics go, the SM7B needs a lot of “welly” thanks to its low sensitivity. Whether you’re using something like a Cloudlifter for an extra 25db gain or another third-party preamp or maybe adding some digital gain from your console, to date, getting more from the SM7b has usually meant spending more. In my case, I’m sending 60-65dB of gain to each mic channel using an SM7B in one studio being driven by Wheatstone’s split frame LXE console.

    Now, in what should be welcome news for podcasters in particular for home podcasters, Shure have added a new member to the SM7 family some 50 years on from its introduction. The new edition brings all the traditional qualities of the SM7B and adds in a Shure-designed active preamp that provides an additional 18 or 28 dB of clean gain. That means no need for a separate preamp (that said, the technology is licensed from Cloud) and less chance of picking up hiss from other preamps or sound cards. If you don’t need the gain, you don’t use it, so you’ll still get that original SM7B performance.

    The selector switches are mounted on the rear of the microphone (see the image above).

    Cost-wise, it is pricey, roughly equating to the cost of adding a preamp, per microphone, to your setup. That is to say with the SM7B retailing around €389, the SM7dB will cost you around €589 from Thomann, £514 from StudioSpares, €591 from Amazon, so it doesn’t come cheap.

    Pricing aside, it’s a smart move from Shure and may likely see the SM7dB gain some ground with content creators with some breathing room in their wallets. I’ve not had a hands-on look at the mic itself but the short B&H review below is worth exploring for more.

    Watch: Shure SM7dB microphone review