The Gibson Hotel in Dublin’s docklands provides the backdrop with the day bringing together a number of speakers on the world of podcasting, monetisation, sound design, podcasts for radio stations and more, all under the one roof.
It’s a one-day affair, kicking off at 11am with comedian and podcaster Jarlath Regan the keynote speaker. There are two sessions booked before lunch and in the afternoon. Here’s how the schedule is looking…
11am: Introductions
11.10am: Keynote speaker – Jarlath Regan
11.50am: Radio stations making podcasts: Why, the wins and the watchouts with Aisling Moore (Senior Producer, Newstalk, and Producer of Inside the Crime), Liam Thompson (Programme Director, Classic Hits, and Co-Founder of The Smart 7), Darren Cleary (Bauer Media) and Ian Doyle (Head of Podcasting at Wireless Group)
12.40pm: Achieving world-class sound design in your podcast with Niall Breslin (Where Is My Mind?) and Lochlainn Harte (Imaging Manager, Newstalk)
1.15pm: Lunch
2pm: Fireside chat with Doireann Garrighy (RTÉ 2FM) in conversation with Patrick Haughey (AudioBrand)
2.40pm: The International Perspective – UK and Germany with Martin Liss (audio entrepreneur & management consultant) and Meera Kumar (multi award-winning podcast producer)
The day is aimed at all those interested in podcasting, currently working in the independent radio sector in Ireland.
As such, you must be currently working with an independent radio station to book.
Joining the likes of Google Wave, Google Duo, Google Talk, Google Glass, Google+ and countless other products over the best part of the last 20 years, Google Podcasts is going in the bin.
That might sound a bit harsh, but this week saw the announcement that Google Podcasts is sunsetting and will shut up shop in 2024, six years on from its inception. The writing may have been on the wall back in January with the removal of Google Podcasts embeds from search results.
Per the YouTube blog, “Looking forward to 2024, we’ll be increasing our investment in the podcast experience on YouTube Music — making it a better overall destination for fans and podcasters alike with YouTube-only capabilities across community, discovery and audio/visual switching. Later in 2024, as part of this process, we’ll be discontinuing Google Podcasts. As part of this process, we’ll be helping Google Podcasts users move over to Podcasts in YouTube Music. This matches what listeners and podcasters are already doing: according to Edison, about 23% of weekly podcast users in the US say YouTube is their most frequently used service, versus just 4% for Google Podcasts.”
With more investment into YouTube Music, the aim now seems to build out a single destination ‘that rewards creators and artists and provides fans with the best Podcasts experience’.
Podcasts on YouTube Music
In April this year, podcasts landed on YouTube Music – albeit in the US only – without the need for a premium subscription.
That meant you could watch or listen to podcasts on demand, offline, in the background, while app-switching, casting etc. You could also seamlessly switch between audio-video versions on YouTube Music. While the service is yet to roll out to Ireland, it’s growing wings and should see availability in other countries later this year.
For creators in the US, you can already upload audio and video versions of the podcast, with encouragement for audio-only podcasts to consider uploading a video with a static image, or use audiograms or other dynamic video formats. At the time of launch, it was also planned to allow the import of audio-only podcasts straight from RSS feeds to save doubling up on work.
Looking at one of the busier podcasts I produce, I can’t say that the traffic from Google Podcasts will be missed with the likes of CasteBox, podcast Addict, Pandora and Amazon already streets ahead.
For now, Google Podcast Manager is still available and so too is the analytics data that comes with it. For podcast listeners, they’ll be able to export their subscriptions from Google Podcasts direct to YouTube Music or else take an OPML file to upload to another podcast app.
What I am looking forward to is seeing how the analytics will be made available and fed back to the likes of Transistor, Acast or other publishing platforms.
Whatever the case, we’ll all find out by the end of the year.
One of the world’s best-loved microphones just got a massive upgrade that’s coming to come as welcome news to broadcasters and podcasters alike.
Considering I’ve recently put four SM7Bs into a live studio space, the SM7db will be a welcome upgrade for those who have been putting off a purchase given the typical need for extra gain in the chain. As dynamic mics go, the SM7B needs a lot of “welly” thanks to its low sensitivity. Whether you’re using something like a Cloudlifter for an extra 25db gain or another third-party preamp or maybe adding some digital gain from your console, to date, getting more from the SM7b has usually meant spending more. In my case, I’m sending 60-65dB of gain to each mic channel using an SM7B in one studio being driven by Wheatstone’s split frame LXE console.
Now, in what should be welcome news for podcasters in particular for home podcasters, Shure have added a new member to the SM7 family some 50 years on from its introduction. The new edition brings all the traditional qualities of the SM7B and adds in a Shure-designed active preamp that provides an additional 18 or 28 dB of clean gain. That means no need for a separate preamp (that said, the technology is licensed from Cloud) and less chance of picking up hiss from other preamps or sound cards. If you don’t need the gain, you don’t use it, so you’ll still get that original SM7B performance.
The selector switches are mounted on the rear of the microphone (see the image above).
Cost-wise, it is pricey, roughly equating to the cost of adding a preamp, per microphone, to your setup. That is to say with the SM7B retailing around €389, the SM7dB will cost you around €589 from Thomann, £514 from StudioSpares, €591 from Amazon, so it doesn’t come cheap.
Pricing aside, it’s a smart move from Shure and may likely see the SM7dB gain some ground with content creators with some breathing room in their wallets. I’ve not had a hands-on look at the mic itself but the short B&H review below is worth exploring for more.
Starting a podcast can be an exciting venture, with low barriers to entry, that can ultimately give you a platform to share your passion, knowledge, or stories with a global audience.
Note: This post contains affiliate links to podcast hosts, meaning should you choose to sign up for a host from my link, I may receive a small commission.
If you’re thinking about starting your own podcast, the odds are you’re already listening to podcasts so you may have some idea how things come together. If not, but you’re ready to dip your toes into the world of podcasting, this post series should help. I’m calling it Podcasting 101 and over the course of six posts you’ll be able to get a feel for what you need to do to start a podcast and believe it or not, for me at least, it all begins with a pen before you go near a microphone.
To get this series underway, I’m going to share ten things you should do ahead of your first podcast release. You’ll find more podcasting posts and tutorials here on the blog that delve into these topics a little deeper.
10 things to do when starting a podcast
1. Define your niche
Before you hit record, it’s crucial to define your podcast’s niche. Yes (and with apologies), it sounds like a very American thing to say. Just don’t pronounce it as nitch. Essentially, before you hit record or open your mouth, know what it is you’re going to be talking about and what the focus of your podcast is. Is it about general health? Is it something more specific like dealing with diabetes? Is it a football podcast, or a Liverpool football podcast? As yourself, what topics will you cover? Who is your target audience? A well-defined niche helps you create focused, engaging content that will appeal to a specific listener demographic.
2. Plan your format
Podcasts come in various formats, from solo and co-hosted shows to interviews, narratives, and round-table discussions. Decide on the format that best suits your content and presenting style. For me, my first season of the ‘Food In 5 Minutes’ was a ‘solo cast’ i.e. just me, discussing the food news of the week, for five minutes.
A podcast running order. Photo: Cottonbro Studio / Pexels
For The Football Manager Football Show, the format is clear – co-hosts with a back-and-forth on a specific set of topics. Ask yourself, what should my presentation sound like and, just as important, how long will my podcast be? If you’re aiming for 60 minutes, be sure you can fill 60 minutes and do it regularly (see my final point).
Cash was king until contactless came in. No matter what they tell you though, content is most definitely king. Once you’ve got your format decided, you should plan out your podcasts meticulously, ensuring they offer value to your listeners. Whether it’s entertainment, education, or inspiration, your content should be compelling and well-organised. Being strict from the offset will reap dividends down the road.
4. Invest in quality equipment
Good audio quality is non-negotiable. As someone working in commercial radio, I can tell you with no uncertainty – there is no excuse for poor-quality audio. If you’ve got a budget, invest in a decent microphone, headphones, and an audio interface. You don’t need a professional studio, but a quiet, suitable recording space is essential.
If you’re planning on recording everything on your phone and you don’t have the budget to spend on hardware, aim for as clean a sound as possible, avoiding wind, plosives and pops. I’ll be honest – I’ve switched off or abandoned more podcasts in recent years because audio quality lets the hosts or guests down. When your listener only has a finite amount of time and you’re hoping they’ll spend it on your podcast, you should be delivering a polished product.
And if you’re planning on going down the video podcasting route, investing in quality equipment becomes a bigger task when you have to start budgeting for cameras or editing software. But if you’re delivering quality audio straight out of the traps, you’re already streets ahead of so many other podcasts.
5. Learn basic audio or video editing
Do yourself a favour and familiarise yourself with audio editing software. Yes, there are tools and services that allow you to record a podcast without the need for any editing software (hello, Anchor), but learning basic editing skills can significantly enhance your podcast’s sound quality, help remove awkward silences, umms, aahs, and background noise.
Cool Edit Pro. Screenshot: Ken McGuire / KCLR
Whether you’re running a 20-year-old version of Cool Edit, a free version of Audacity or the latest versions of Adobe Audition or ProTools, do yourself a favour and get comfortable with the basics of audio editing. You don’t need to spend on the software, but you should get a feel for how you can tighten your final file before uploading.
6. Create eye-catching artwork
Your podcast’s cover art is the first thing potential listeners see. Design eye-catching, professional artwork that accurately represents your podcast’s content and tone.
Example podcast artwork.
You can direct potential listeners to your podcast by any means, but if you’re hoping to catch casuals browsing through Apple Podcasts or Spotify, a visual that pops will go a long way.
7. Write a compelling podcast description
When it comes to listing your podcast on different directories or aggregators (think Apple Podcasts, Pocketcasts, Spotify etc.), you’ve got room for a few lines that will help sell your audience on what your podcast is about.
As an example, I’ve been listening to a lot of True Spies this year, great on late-night walks. Would this capture your attention?
“True Spies takes you inside the world’s greatest espionage and detective operations. Our hosts Hayley Atwell, Vanessa Kirby, Sophia Di Martino and Daisy Ridley talk to the real spies behind the missions. What do they know? What are their skills? And what would you do in their position? We explore and investigate real life thrillers, mysteries and crimes – stories that prove truth is stranger than fiction!”
In three lines we know exactly what the podcast is about, who the hosts are and what listeners can expect for each episode. Find it on Spotify here.
So craft yourself a concise, engaging podcast description that outlines your show’s content and unique selling points. Again, your podcast description can help you stand out in podcast directories and attract your target audience.
8. Choose a Hosting Platform
Now you’ve got yourself a niche, a format, a name, some snazzy artwork and a compelling description, it’s time to put your podcast live. To do that, you’ll need to select a reliable podcast hosting platform to store and distribute your audio files. Your host should offer sufficient storage, bandwidth, and distribution options to major podcast directories as a standard.
Gone are the days of having to host a podcast yourself and build your own RSS feeds (been there, done that). Instead, there are plenty of platforms that will see you right, offer embeddable players, dedicated podcast websites, transcription services and more.
Some providers will charge you per podcast hosted, others will charge you based on downloads but allow you to set up as many podcasts as you like. Where you end up may be decided by your budget, but you’ll find some free and paid options below.
I’ll break down the best and worst sides of podcast hosts in a later post along with DIY options on hosting your own without the restrictions of a third-party host.
9. Promote your podcast
When you’ve got your first episode published, it’s time to leverage social media, your website, and other channels to promote your podcast.
If you’re opening up social profiles specifically for your podcast, then start by going to where your audience is going to be found. If you’re business and technology-driven, maybe LinkedIn is a good place to start. For The Football Manager Football Show, Twitter was always going to be the place to get up and running first because that’s where a lot of the conversations around the game happen in the open.
Check Discord servers that you’re registered with, forums, Facebook groups, and friendly Reddit threads or start at the beginning and drop an email to friends and family to let them know you’re up and running.
As you grow your podcast archive, engage with your audience, encourage subscriptions, promote back-episodes (previous releases) and ask for reviews to help boost your podcast’s visibility.
10. Stay consistent
I hinted at point number 10 at the outset, but consistency is key to building and maintaining an audience. Knowing your format is one thing, but being able to hit your releases consistently is such a big thing. There’s nothing that grinds my gears like a podcast advertised as ‘weekly’ only to see three or four weeks between episodes, with the next release finding the host beginning the podcast with an apology. .
You can either stick to the schedule you’ve planned or you can’t. If you can’t, find one that you can stick to, releasing episodes regularly, whether weekly, bi-weekly, or monthly, and keep your content fresh and engaging.
Any advice?
So there you have it – 10 things you can do when starting a podcast that will hopefully make your experience, and that of your potential listeners, better.
I’ll go into more detail at a later date but if you’ve read through the above and you’ve got something to add or a tip that you find useful, sound off in the comments below. Above all else, enjoy the process. Podcasting should be a fun, rewarding experience and if you’re passionate, know your audience and have a plan you can stick to, it won’t be long before you start reaping those rewards.
Back for a second year, the shortlist for the 2023 Irish Podcast Awards has been released.
This year’s ceremony recognising the best of podcasting on the Irish landscape will take place at House Dublin on 21 November. Among the big hitters this year are The Blindboy Podcast, Talking Derry Girls, My Therapist Ghosted Me and more.
The open category, the Listeners Choice Award, also returns with Talking Bollox likely among the favourites having scooped the gold at last year’s event. Voting closed in this category in mid-October, the top 5 looking like this.
Supported by Global and Acast, PodPod will play hosts for Haymarket Media Group which acquired the Irish Podcast Awards in 2022 alongside the British Podcast Awards. Submissions opened in the spring of this year, running up to 11 July. The cost per entry ranged from €45-€175 for the initial entry, depending on turnover, with €100 per additional entry afterwards. Judging this year took place over the first two weeks of August.
This year’s judging panel included RTÉ’s Amanda Fennelly, Brian Young (Head of Digital Product, News Broadcasting), Oli Walters (Head of Podcast Sales International, Global), Denzil Lacey (SiruisXM), Jennifer Dollard (Acast), Patric Haughey (AudioBrand) and Sharon Casey Ledwidge (OMD Ireland). Best Network/Publisher will be a two-horse race this year between GoLoud and Headstuff though the likes of the BBC, Newstalk, RTÉ, BEAT and The Irish Sun as media outlets are also represented in different categories.
The night is an all-ticket affair and if you’re planning on attending, tickets will cost you €125-€255 plus VAT, depending on your company/individual turnover.
Four other awards will be announced on the night as well as part of the Editors’ Choice Awards including the overall Podcast Champion, Specialist Award, Spotlight Award and The Listeners’ Choice.
Whether you’re a seasoned pro or starting out on your podcast journey – this can apply equally to radio too – you’ve got to consider having a running order. In fact, I’d say it’s a must regardless of the medium you choose to convey your message.
I’ve produced countless shows, podcasts and events over the years and one of the big standouts is that the ones that find more success on the grounds and with listeners are those with a running order. Whether it’s a one-hour production or a four-hour marathon, how anyone can approach a podcast or radio show without a running order amazes me.
Fail to plan, prepare to fail and all that.
So, why should you use a running order for your podcast or show? Here are six reasons that might sway you, with some added pros and cons below because you can’t win everybody over…
1. Structured flow
Structure is key. It breeds consistency, making the content you’re producing more digestible and enjoyable for your audience.
From past experience, even for a drivetime music show, a running order provided me with certain markers from time checks to show features, music, breaks, interviews and the rest. You planned from marker to marker and kept going. The running order also allows for seamless transitions between segments and helps contribute to a more polished, professional sound.
2. Time management
Using a running order means you can allocate time to each segment on your show or podcast effectively, making for more efficient use of your time and preventing any section from dragging on far too long. Much like gigs, standup comedy or theatre, people rarely give out about segments being too short but constantly over-running or dragging the tail end out of a feature can be a real turn-off.
For live radio shows, you might find a PD or programmer who is rigid about clock structure – a running order will help you fit within the allotted time slots you have and adhere to any clock constraints.
3. Clear communication
While the first two reasons are borne out of self-produced or single-producer podcasts or shows, when you’ve got multiple people involved in the production – say three or four contributors to a speech podcast and a researcher or showrunner – you’ll find that a running order serves as a great communication tool to keep everyone on the same page. Where guests are privy to the layout of the show, it will also help them understand the flow and prepare accordingly. Got others working on social media aspects of your podcast? This will be the roadmap for their creative work in post-production (see reason six).
4. Content prioritisation
You can use a running order to highlight your most important content, ensuring that key messages aren’t lost, or overshadowed. It also means you can distribute different types of content throughout your podcast, thus balancing your delivery.
5. Contingency planning
If something’s going to go wrong, it will. If you happen to run into technical glitches or other unforeseen issues in a live or pre-recorded setting, having a running order means you can make quick adjustments on the fly by shifting spots up or down. It also allows you to plan some alternative or backup content to use if needed. Trust me, one day, you’re going to need it.
6. Post-Production efficiency
For podcasts, a running order can serve as a roadmap during the editing process, making post-production smoother and more efficient.
Maybe your radio show is pre recorded? Hand off your links and running order to a producer and they will have no problem slotting in your beds, stings, sweeps, links, and tying together all of your content.
A podcast running order. Photo: Cottonbro Studio / Pexels
The pros and cons of running orders
This is where I should be arguing the case for running orders, but there’s got to be some balance as they’re not everyone’s cup of tea. That doesn’t mean you can’t strike a balance by putting together a running order but allowing yourself some breathing room.
On the pro side, let’s take three key points. A running order is going to enhance the professionalism of your podcast or show in creating a polished, well-structured and cohesive layout that appeals to listeners.
Also on the pro side you’ll find that by having a clear plan in place, regardless of running times, your production process becomes more efficient, aiding in the effective allocation of time (and preparation) to each of your planned segments, making for smoother transitions and timely execution. Yes, there’s still a human factor to consider, but it’s still a pro nonetheless.
Lastly, where teams are involved or you’ve got multiple hosts or guests, a running order is one of the most valuable tools you can have in your arsenal to tackle coordination. It means everyone should be able to understand the flow, manage expectations and reduce any confusion or uncertainty during the recording process.
Again, while I’m all for running orders no matter how big or small the recording, I’ve been in rooms where they’re not welcome, and here are some of the reasons why.
To start with, a running order can sometimes – not always – lead to a rigid format, potentially stifling spontaneity and organic conversations that might appeal to some audiences.
If you’re short on time to begin with, they can be a time sink. Why? Well, you’ve got to out thought and time into preparing your segments, intros, questions for guests, facts and figures, time that some may prefer to simply spend recording.
Let’s sum it up…
Running order pros
Professionalism: A running order enhances the professionalism of the show. It helps in creating a polished, well-structured, and cohesive program that appeals to listeners.
Efficient production: With a clear plan in place, your production process becomes more efficient. Now you’re allocating time to each segment effectively, making for smooth transitions and timely execution.
Team coordination: For shows with multiple hosts or guests, a running order is invaluable for coordination. It ensures everyone understands the flow and expectations, leading to smoother interactions while helping to confusion during recording.
Running order cons
Rigidity: This is where creative presenters and strict producers can clash. A running order can sometimes lead to a rigid format, potentially stifling spontaneity and organic conversations that might appeal to some audiences (and presenters, no offence).
Preparation time: Developing a detailed running order requires time and effort upfront, especially if your show or podcast series varies in style from episode to episode. This preparation might be seen as cumbersome, especially for small teams or individual creators.
Creative constraints: While I see structure as beneficial, it might also limit creative impulses during recording, much like point number one. Presenters might feel constrained by the predetermined format and mat not explore interesting tangents or follow the conversation naturally. The latter is a skill but that’s a conversation for another day.
Microphone in a studio setting. Photo: Gigxels / Pexels
Sample running orders
All that said, let’s take a look at some sample running orders. These podcasts are purely fictional, and purely flexible, with an option for a music-based podcast, and a talk-based podcast with a football flavour. Feel free to copy/paste/adapt. If you find these useful, let me know in the comments below.
Sample running order: Music podcast
For this podcast, I’ve gone with a mix of chat and music, covering industry news, an artist interview, back-to-back songs from an artist’s spotlight, a playlist segment that covers up to eight songs and some closing remarks. Before Spotify playlists, music podcasts were more about music, but the format is still applicable whether for podcasts or a special interest radio show.
Podcast Title: Give your podcast a title here Episode Title: Give your episode a title here, save thinking of one at the end of post-production Total Duration: 60 minutes
Segment 1: Introduction (2 minutes)
Host introduces themselves and the podcast, providing a brief overview of what listeners can expect in this episode
Tease the special guest artist for this episode and the artist spotlight
For this running order, I’m taking the sports route, spreading the content between news, an interview, fan engagement, analysis and previews, a debate and a quick roundup. That’s more than enough to see you off and running.
Podcast Title: The Soccer Show Episode Title: Countdown to the Champions League Knockouts with Cristiano Ronaldo (wishful thinking) Total Duration: 60 minutes
Segment 1: Introduction (2 minutes)
Host introduces themselves and gives a quick overview of this episode
Tease out the special guest(s) and upcoming segments
Segment 2: Football news flash (8 minutes)
Recap major news and developments in the big European leagues.
Brief discussion on significant transfers, headlines of recent days, injuries or controversies
Segment 3: Featured interview (15 minutes)
Introduce the special guest for this episode (let’s call him Cristiano Ronaldo), or maybe it’s another player, manager or supporter
Conversation about their playing/managerial career, insights on the game, some personal anecdotes
Discussion on current team performance, expectations for the season
Note: this section might need to pre-prep with the guest so they’ve also done their homework
Segment 4: Fan’s corner (7 minutes)
Use this segment to highlight fans’ comments and opinions (maybe on the previous episode or topic for this episode)
Host(s) read selected fan messages or play voice notes sent in by listeners
Offer quick reactions and responses to fans’ opinions
Segment 5: Match previews (10 minutes)
Preview upcoming round of Champions League knockouts (as per the title) or standout games in various leagues or competitions
Provide analysis and predictions for each of the key games
Segment 6: Round table debate (10 minutes)
This one certainly works better in a two-hander scenario unless you’ve got a solid rant / soap box ready.
Involve different viewpoints either from co-hosts or invited experts
Segment 7: Roundup & closing remarks (6 minutes)
Do a quick roundup of the episode’s highlights
Announce the next episode’s date and tease the content that’s coming up
Thank guests and any participants from the debate segment
Segment 8: Guest’s song pick (2 minutes)
“End on a song”, get your guest to pick a song to close the episode. Lord only knows what Cristiano Ronaldo listens to.
Host introduces the song, thanks listeners, gives the subscription details, off you go.
This running order offers a balanced and engaging structure for a football-themed podcast, providing variety and comprehensive coverage while allowing for interactive and entertaining segments and, if you can stick to the timings, it’s all wrapped up in 60 minutes. It’s hard to beat consistency like that.
Feel free to adjust the durations and content to suit your podcast’s unique style and audience but if you launch a podcast based on the running order or framework above, be sure to let me know in the comments so I can give it a listen.
Well hello there, September, and while I’m at it, farewell to the old archive of musings available here at kenmcguire.ie.
By way of an introduction, my name is Ken McGuire and I’ve been producing content for podcasts and radio for the best part of 20 years. It’s taken me almost as long to start writing about it.
As a product of 80s and 90s Ireland, radio has always been there for me. You woke up to a radio, had it in the car, brought it in your pocket, fell asleep to it and did it all over again. From request shows to concerts, eagerly waiting to find out what was going to be top of the Irish music charts, to hoping the presenter would stop yapping so you could hit record at *just* the right moment for a mixtape, radio holds a lot of fond memories of a youth well spent. Even through my college years, the radio was still there as a daily interaction, before jumping into podcast production in 2006. Ask most people in 2006 what I podcast was and they’d be throwing funny looks at you. Apple Podcasts wasn’t there. Spotify wasn’t there. But we still did it.
In the years since, I’ve presented and produced hundreds of episodes of varying podcast series on music, food, technology, sport and gaming. I’ve been an arts presenter and reporter, night-time radio presenter, and drive-time radio presenter (a fine 4+ years presenting KCLR Drive) and as I write this gentle introduction, you’ll find me as a broadcast engineer for KCLR where all those learnings come into play. Sure, you’ll still hear me on air, and you’ll find me on radio ads around the country, but a lot more of the work these days happens behind the scenes in helping develop and shape the technical runnings of a radio station and all the add-ons that come with it on the digital front.
From radio aficionado to content creator in the audio sense, it’s been a fun and rewarding journey to date and this blog is a culmination of those experiences.
So let’s talk about radio and podcasting
Seen as I spend my days either creating content for people’s ears or working on content and technical solutions for the FM and digital worlds, I may as well write about it too.
For the radio buffs, I’ll be sharing insights into the world of radio technology, shining a light on some of the magic behind the airwaves, and discussing the technicalities, innovations and evolution of radio as I see it. Sure, there are plenty of people out there far more qualified than I in different aspects of the industry so I’m sharing my thoughts, learnings and observations while signposting some of the great reads and research I find along the way.
On the podcasting side, for both budding and seasoned podcasters, in due time you’ll find a treasure trove of tips and tricks. Whether you’re looking to start your own podcast or fine-tune existing content, I’ll have you covered. In the middle, I’ll look at where radio meets podcasting, opening the door on the future of audio content and the exciting possibilities that it holds.
Add to that a sprinkle of industry news, trends and insights, you’ll find plenty to chew on with updates coming 2-3 times a week.
What to expect and how to connect
Over the coming months (it’s been well planned out at this stage), you can expect a mix of deep dives, tutorials, thoughts and suggestions that will help with podcast production and radio programming. I’m aiming this content at both industry professionals and aspiring radio and podcast creators. The comments are always open, so feel free to jump in and have your say on any of the articles you’ll find here and let’s start a conversation.
If you prefer to have content like this delivered to your inbox, you can join my free newsletter here.
For a more personal connection or if you’d like to shoot me a quick question, share your own story, or point me in the direction of content worth sharing, you can find me on LinkedIn here, Twitter / X here, or I’ll be posting updates on my business Facebook page here.
